I've been reading the new Kay Ryan book, The Niagara River. It's her usual stuff: short, narrow, epigrammatic poems, in the vein of Emily Dickinson. Here's one:
Backward Miracle
Every once in a while
we need a
backward miracle
that will strip language,
make it hold for
a minute: just the
vessel with the
wine in it —
a sacramental
refusal to multiply,
reclaiming the
single loaf
and the single
fish thereby.
I love how this poem is so simple on the surface, yet if you begin to burrow into it a whole world of ideas opens: language, meaning, hermeneutics, religion, a return to prime origins. I love it.
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2 comments:
I love this poems as well; it's been hanging over my desk since it appeared in Poetry. It works on a lot of levels for me, in particular the great, subtle use of rhyme. And I've puzzled over the line breaks for longer than such a short poem should warrant!
But Dickinson? Maybe I don't know her stuff well enough. I see much more Williams.
David: WC Williams? Yes I can definitely see it. But Ryan seems perhaps more abstract and philosophical to me.
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