From A Word a Day:

popinjay
PRONUNCIATION:
(POP-in-jay)

MEANING:
noun: Somone who indulges in vain and empty chatter.

ETYMOLOGY:
Via French and Spanish from Arabic babbaga (parrot). The last syllable changed to jay because some thought the word referred to that bird instead of a parrot.

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From my friend Jeff: a link to a fascinating "Ambigram" site, where computerized typography can be used to make a word like "Poet" read the same right side up and upside down. Or you can take a word like "Love" and have it read "Hate" upside down. Or you could take two names, like "Peter" and "Dean" and have it read as one or the other depending on how it is flipped. Check it out. It's fun to play around with different words and to see what you get. But I am not sure I'd buy one ($19.95 per image). I believe they are intended to be used for tattoo patterns. And based on the look of some of the fonts, ahem, prison tattoos.

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And another amazing Goldbarth poem in the recent issue of Poetry. The language and idioms from science that he uses are just delightful:

Marble-Sized Song


Does she love you? She says yes, but really
how do you know unless you undress that easy assertion,
undoing its petals and laminae, and going in
below all trace of consciousness, into the neuroelectrical
coffer where self-understanding is storaged away,
and then lifting its uttermost molecule out, to study
in its nakedness as it spins
in a clinical light?—the way
we all, in our various individual versions
of this common human urge, go in,
and in, and in, the physicist down
to the string-vibration underlying matter, and
the Appalachia fiddler getting so
(as she puts it) "into my music," sound becomes
a flesh for her to intimately ("in"-timately)
enter, "its thick and its sweetbreads."
Is he cheating on you? He says no, and feigns
that he's insulted, but for certainty
you'll need to delicately strip the bark away
and drill, and tweeze, until you can smear a microscope slide
of the pith and can augur the chitterlings
—the way the philosopher can't accept a surface
assumption of truth, but needs to peel back
the fatty sheen of the dermis, soak the cambium layer
into a blow-away foam, and then with pick
and lightbeam helmet, inch by inch begin
spelunking through those splayed-out caverns
under the crust, where gems of cogitation are buried
—the way the diver descends for the pearl,
the miner: in, the archaeologist: in, the therapist: down
the snakier roots of us and in, and in, the way
the lone, leg-pretzeled yogi makes
a glowing bathysphere of worldliness and sends it in,
and further in, tinier and heavier and ever in,
the way the man in the opium den is floating forever,
toward a horizon positioned in the center of the center
of his head.... If we could stand beyond the border
of our species and consider us objectively, it might seem
that our purpose in existing is to be a living agency
that balances, or maybe even slows, the universe's
irreversible expansion out, and out ... and each
of us, a contribution to that task.
My friend John's wife received the news: a "growth,"
a "mass," on her pituitary, marble-sized, mysterious.
And the primary-care physician said: Yes,
we must go in and in. That couldn't be the final word!
And the second-opinion physician said: Yes,
my sweet-and-shivering-one,
my fingerprint-and-irisprint-uniqueness,
someone's-dearest, you
who said the prayers at Juliette's grave, who drove
all night from Switzerland with your daughter, you
on this irreplaceable day in your irreplaceable skin
in the scumbled light as it crosses the bay in Corpus Christi,
yes in the shadows, yes in the radiance,
yes we must go in and in.


-- Albert Goldbarth

Poetry
July/August 2008

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