Check this out. A really funny version of "My Favorite Things" in the voice of uber-rich, über-conceited Mitt Romney:
White folks for neighbors because they're hard workers
Other folks for caddies and legal yard workers
Money and all of the houses its brings
These are a few of my favorite things
Corporate people for my only friends
Ron to stay in til the primary ends
More Touch of Gray so I only have "wings"
These are a few of my favorite things.
When the Newt bites, when the Rick stings
When magic Underoos chafe
I simply remember my favorite things
And then I can feel... quite safe
Here is the link to the video: http://www.huffingtonpost.com/2012/01/13/mitt-romney-favorite-things_n_1205184.html
Friday, January 13, 2012
Sunday, January 08, 2012
Faux Pho!
Dean and I love Vietnamese pho noodle soup, especially on cold wintry days. I've heard it called Vietnamese penicillin, so many people swear by it to keep coughs and colds away.
But on our low carb diet the noodles are just a killer. So, this weekend I invented a "faux pho" soup, using thinly julienned yellow squash and zucchini squash for the noodles. Terrific!
Here is my general Faux Pho recipe:
Saute:
Olive oil
onion or shallot or both
garlic
ginger
mushroom
orange sweet pepper
basil
white wine
Add:
chicken or vegetable broth (hot)
sesame oil
lemon pepper
paprika
salt
red pepper flakes
lime juice
pork or prawns or both
Bring it all to a boil for a couple minutes, until meat is cooked, then add the julienned squash and/or zucchinni "noodles" and cook for about two minutes (you want the squashed cooked, but still somewhat firm) and serve.
The faux noodles are quite satisfying, but have minimal carbs. Enjoy!
Saturday, January 07, 2012
From Huff Post Gay Voices:
In searching for a way to give back to the LGBTQ community, Michael Volpatt and Patrick Wallace created a aNoteToMyKid.com, a grassroots movement that gives everyone -- parents, family, and friends -- the opportunity to express unconditional love for the LGBTQ people in their lives. The nonprofit's purpose is to remind people that there is a lot of love out there, to bring family and friends closer together, and to give parents and others who may not know how to broach the subject of sexuality an opportunity to learn from example.
In searching for a way to give back to the LGBTQ community, Michael Volpatt and Patrick Wallace created a aNoteToMyKid.com, a grassroots movement that gives everyone -- parents, family, and friends -- the opportunity to express unconditional love for the LGBTQ people in their lives. The nonprofit's purpose is to remind people that there is a lot of love out there, to bring family and friends closer together, and to give parents and others who may not know how to broach the subject of sexuality an opportunity to learn from example.
Tuesday, January 03, 2012
Best Poetry Books of 2011
Happy New Year! I thought I'd look back on 2011 and give a shout out to the ten or so books of poetry from the past year that I enjoyed the most, or found the most memorable. In no particular order:
Woodnote, Christine Deavel: the long-poem pastiche "Economy" culled from her deceased aunt's diary entries was one of the most exhilarating poetry experiences of the year for me.
Every Dress a Decision, Elizabeth Austen: so good to see this important poet from the Seattle scene get her first full length book.
Flies, Michael Dickman: I loved the dream-like black humor and the reference to Emily Dickinson.
Present Vanishing, Dick Allen: Though this book came out in 2008, I didn't read it until this year. I love the Zen poems especially.
The Book of Men, Dorianne Laux: I enjoyed the nostalgia for the 60-70's pop stars. Perfect for my age demographic.
The Hands of Strangers: Janice N. Harrington's wonderful debut collection from BOA about life (and death) in the nursing home does not sound like it would be that engaging. But this book is pretty amazing. Start with the poem about bedsores.
The Captain Asks for a Show of Hands, Nick Flynn : Uneven, but what an amazing cover image, and some really devastating moments in the poems too.
The Little Office of the Immaculate Conception, Martha Silano: a wonderful blending of cosmology, motherhood, and cooking. Even better that Patricia Smith's Life on Mars (which is also one of my faves for 2011, though I really didn't start reading it until the last few days).
Space, In Chains, Laura Kasischke: another book with space, cosmology, in its title. Hmmm, a theme here?
And some from 2011 I am looking forward to reading this year:
Songs of Unreason, Jim Harrison.
Head Off & Split, Nikky Finney
Dear Prudence: New and Selected, David Trinidad.
If you have a suggestion for a book I may have missed, feel free to comment or backchannel.
Cheers!
Monday, December 26, 2011
I love this poem from today's American Life in Poetry:
The Art of Being
The fern in the rain breathes the silver message.
Stay, lie low. Play your dark reeds
and relearn the beauty of absorption.
There is nothing beyond the rotten log
covered with leaves and needles.
Forget the light emerging with its golden wick.
Raise your face to the water-laden frond.
A thousand blossoms will fall into your arms.
Anne Coray is an Alaskan, and in this beautiful meditation on the stillness of nature she shows us how closely she’s studied something that others might simply step over.
American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2011 by Anne Coray from her most recent book of poetry, A Measure’s Hush, Boreal Books, 2011. Poem reprinted by permission of Anne Coray and the publisher. Introduction copyright ©2011 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
******************************
Great little memorial article for Ruth Stone, written by Philip Levine, in the NY Times yesterday:
"Ruth lived in the only world of poetry that matters, the one without publishers, awards, prestige, competition, jealousy, money — the one
we might call “poetry eternal,” the same world the great poems live in. Now she is there forever."
The Art of Being
The fern in the rain breathes the silver message.
Stay, lie low. Play your dark reeds
and relearn the beauty of absorption.
There is nothing beyond the rotten log
covered with leaves and needles.
Forget the light emerging with its golden wick.
Raise your face to the water-laden frond.
A thousand blossoms will fall into your arms.
Anne Coray is an Alaskan, and in this beautiful meditation on the stillness of nature she shows us how closely she’s studied something that others might simply step over.
American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2011 by Anne Coray from her most recent book of poetry, A Measure’s Hush, Boreal Books, 2011. Poem reprinted by permission of Anne Coray and the publisher. Introduction copyright ©2011 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
******************************
Great little memorial article for Ruth Stone, written by Philip Levine, in the NY Times yesterday:
"Ruth lived in the only world of poetry that matters, the one without publishers, awards, prestige, competition, jealousy, money — the one
we might call “poetry eternal,” the same world the great poems live in. Now she is there forever."
Sunday, December 18, 2011
Geospatial Poetry Is Here!

Check out this terrific new collaborative poetry project. It is so cool to log on to Google Earth, and zoom in on a location (currently WA state is featured), and find a poem there! Some of the featured poets include Allen Braden, Kathleen Flenniken, Derrick Sheffield, Susan Rich, James Bertolino, and Kathryn Hunt. Visit Katharine Whitcomb's website for more details:
The Center for Geospatial Poetry at Central Washington University. A Sense of Place: The Washington State Geospatial Poetry Anthology, edited by Professor Katharine Whitcomb, Dr. Robert Hickey, and Marco Thompson, is ready for readers and distribution. They are also now accepting submissions for a 2nd edition. Click on the above links and check it out.
Also: A Sense of Place has its first gig at the Cascadia Poetry Festival, March 25, 2012, 4 p.m. Be *there* (no pun intended).
*
Friday, December 16, 2011
Love this poem from today's Verse Daily:
White Stork
—Ciconia ciconia
Such jazzy arrhythmia,
the white storks'
Plosive and gorgeous leave-takings suggest
Oracular utterance where the blurred
Danube disperses its silts.
Then the red-
Billed, red-legged creatures begin to spiral,
To float among thermals like the souls, wrote
Pythagoras, praising the expansive
Grandeur of black-tipped wings, of dead poets.
Most Eastern cultures would not allow them
To be struck, not with slung stone or arrow
Or, later, lead bullet—
birds who have learned,
While living, to keep their songs to themselves,
Who return to nests used for centuries,
Nests built on rooftops, haystacks, telegraph
Poles, on wooden wagon wheels placed on cold
Chimneys by peasants who hoped to draw down
Upon plague-struck villages such winged luck.
If the body in its failure remains
A nest, if the soul chooses to return...
Yet not one stork has been born in Britain
Since 1416, the last nest renounced
When Julian of Norwich, anchoress,
Having exhausted all revelations,
Took earthly dispensation, that final
Stork assuring, even while vanishing,
"Sin is behovely, but all shall be well."
Copyright © 2011 Michael Waters All rights reserved
from Gospel Night
BOA Editions
Reprinted by Verse Daily® with permission
*
And this one from a few days ago on Poem-A-Day
The Gardenia
by Cornelius Eady
The trouble is, you can never take
That flower from Billie's hair.
She is always walking too fast
and try as we might,
there's no talking her into slowing.
Don't go down into that basement,
we'd like to scream. What will it take
to bargain her blues,
To retire that term when it comes
to her? But the grain and the cigarettes,
the narcs and the fancy-dressed boys,
the sediment in her throat.
That's the soil those petals spring from,
Like a fist, if a fist could sing.
**
White Stork
—Ciconia ciconia
Such jazzy arrhythmia,
the white storks'
Plosive and gorgeous leave-takings suggest
Oracular utterance where the blurred
Danube disperses its silts.
Then the red-
Billed, red-legged creatures begin to spiral,
To float among thermals like the souls, wrote
Pythagoras, praising the expansive
Grandeur of black-tipped wings, of dead poets.
Most Eastern cultures would not allow them
To be struck, not with slung stone or arrow
Or, later, lead bullet—
birds who have learned,
While living, to keep their songs to themselves,
Who return to nests used for centuries,
Nests built on rooftops, haystacks, telegraph
Poles, on wooden wagon wheels placed on cold
Chimneys by peasants who hoped to draw down
Upon plague-struck villages such winged luck.
If the body in its failure remains
A nest, if the soul chooses to return...
Yet not one stork has been born in Britain
Since 1416, the last nest renounced
When Julian of Norwich, anchoress,
Having exhausted all revelations,
Took earthly dispensation, that final
Stork assuring, even while vanishing,
"Sin is behovely, but all shall be well."
Copyright © 2011 Michael Waters All rights reserved
from Gospel Night
BOA Editions
Reprinted by Verse Daily® with permission
*
And this one from a few days ago on Poem-A-Day
The Gardenia
by Cornelius Eady
The trouble is, you can never take
That flower from Billie's hair.
She is always walking too fast
and try as we might,
there's no talking her into slowing.
Don't go down into that basement,
we'd like to scream. What will it take
to bargain her blues,
To retire that term when it comes
to her? But the grain and the cigarettes,
the narcs and the fancy-dressed boys,
the sediment in her throat.
That's the soil those petals spring from,
Like a fist, if a fist could sing.
**
Tuesday, December 13, 2011
Poetry Housewives of the University
This poetry kerfuffle has sure generated a lot of hype. I wonder if the publisher (Penguin) set it all up as a way to sell more copies of the anthology? Doesn't it all seem like a bad episode of reality TV? All this calling names and pulling hair and scratching over number of pages and who is in and who is out -- or am I just being cynical? You decide.
Poetry Knockdown: Harvard Prof Disses Poetry Anthology.
Poetry Knockdown: Harvard Prof Disses Poetry Anthology.
Saturday, December 10, 2011
Where are those "millionaire job creators?"
Dean and I are back from a lovely week-plus in PV. So hard to come back to 30's and frost on the back porch, but it is good to be home. And, strangely enough, I really don't mind getting back to work, except that with call and admin duties I will be working the next 12 (yes twelve) days in a row. Yikes!
I had somewhat of a news holiday while out on the beach, except what was available on line (Thank god for HuffPo!). This particular article caught my eye. It really gets me going, those ignorant lying Republicans, and their BS about millionaire job creators:
"We wanted to talk to business owners who would be affected. So NPR requested help from numerous Republican congressional offices, including House and Senate leadership. They were unable to produce a single millionaire job creator for us to interview.
So we went to the business groups that have been lobbying against the surtax. Again, three days after putting in a request, none of them was able to find someone for us to talk to. A group called the Tax Relief Coalition said the problem was finding someone willing to talk about their personal taxes on national radio.
So next we put a query on Facebook. And several business owners who said they would be affected by the "millionaires surtax" responded."
-- Jody Gorran, chairman of Aquatherm Industries: "This mantra that every dollar in tax increases is a dollar away from job creation -- give me a break. ... It's not taxes that affects job creation, it's demand."
-- Kelly Conklin, owner of Foley-Waite Associates: "I don't decide to hire or buy equipment based on tax policy. ... We know how to make shit out of wood."
-- Debra Ruh, owner of TecAccess: "We need to hire people, but we don't have the cash or the credit to do it. ... I don't mind paying taxes. ... I like living in the United States and having the opportunities here. I don't understand why running a business has to be about avoiding paying taxes."
-- Michael Teahan, owner of Espresso Resource: "What we do in business, how we spend our money, how we allocate our resources -- that has very little to do with tax policy. ... I map my business based on my customers and what my customers want to buy and what they can afford to buy."
-- Rick Poore, owner of Designwear Inc.: "If you drive more people to my business, I will hire more people. It's as simple as that. If you give me a tax break, I'll just take the wife to the Bahamas."
-- Lew Prince, owner of Vintage Vinyl: "The economic premise that people won't hire because they might have to pay more taxes if they make more money is beyond laughable. ... You hire when you think there's a way you can make more money with that hire. The percentage the government takes out of it has almost nothing to do with it."
I had somewhat of a news holiday while out on the beach, except what was available on line (Thank god for HuffPo!). This particular article caught my eye. It really gets me going, those ignorant lying Republicans, and their BS about millionaire job creators:
"We wanted to talk to business owners who would be affected
So we went to the business groups that have been lobbying against the surtax. Again, three days after putting in a request, none of them was able to find someone for us to talk to. A group called the Tax Relief Coalition said the problem was finding someone willing to talk about their personal taxes on national radio.
So next we put a query on Facebook. And several business owners who said they would be affected by the "millionaires surtax" responded."
-- Jody Gorran, chairman of Aquatherm Industries: "This mantra that every dollar in tax increases is a dollar away from job creation -- give me a break. ... It's not taxes that affects job creation, it's demand."
-- Kelly Conklin, owner of Foley-Waite Associates: "I don't decide to hire or buy equipment based on tax policy. ... We know how to make shit out of wood."
-- Debra Ruh, owner of TecAccess: "We need to hire people, but we don't have the cash or the credit to do it. ... I don't mind paying taxes. ... I like living in the United States and having the opportunities here. I don't understand why running a business has to be about avoiding paying taxes."
-- Michael Teahan, owner of Espresso Resource: "What we do in business, how we spend our money, how we allocate our resources -- that has very little to do with tax policy. ... I map my business based on my customers and what my customers want to buy and what they can afford to buy."
-- Rick Poore, owner of Designwear Inc.: "If you drive more people to my business, I will hire more people. It's as simple as that. If you give me a tax break, I'll just take the wife to the Bahamas."
-- Lew Prince, owner of Vintage Vinyl: "The economic premise that people won't hire because they might have to pay more taxes if they make more money is beyond laughable. ... You hire when you think there's a way you can make more money with that hire. The percentage the government takes out of it has almost nothing to do with it."
Sunday, November 27, 2011
Cafe Nordo

Had a great time with Dean and friends at the finale performance of Cafe Nordo's "To Savor Tomorrow." We had never been to one of their dinner shows before, and it was quite a delight. The setting was retro-futuristic, on an airliner traveling from Hawaii to Seattle for the 1962 World's Fair. The plot was all cold-war era spying and espionage, with agents and double agents from US, USSR, China and Great Britain in search of a secret food weapon (a drunken twinkie?), with interludes from a food scientist recounting the history of food and new inventions in genetics and fertilizer that were leading us into a new, too-good-to-be-true era of convenience.
It was all really funny -- especially the silly spy thriller plot -- I LOVED Svetlana, the Soviet spy/stewardess, and Ping/Arthur, the Chinese/British double agent. But it was also thought provoking, in terms of getting us to think about where our food comes from, what all the "progress" in food science is leading too, etc -- I remember the scientist quoting "a man with bread has many problems, but a man with no bread has one problem;" and her malaprop about "American ingenue-ity."
Unfortunately the menu did not really live up to the press -- favorites were the blini with beet caviar, and the deconstructed won ton noodle soup; but the meat loaf dish was a bit of a let-down. Portions were small, and the presentation minimal, but maybe that was the intent -- this was the "food of tomorrow," for er . . . 1962. Still everybody seemed to be having a great time. The play was a hoot and the series of themed cocktails kept us loose and laughing.
Their next show is due this spring:
Coming Spring 2012: Café Nordo's Cabinet of Wonders
Enter a surreal gallery inspired by the Victorian Cabinets of Curiosity. Chef Nordo Lefesczki concocts a recipe that is one part museum, one part fun house, and one part five-course dinner. Explore the real and fantastic history, science, and mythology of food.
Opens May 5th, 2012 at Washington Hall (14th and Yesler). Don't miss out!
*
In the NY Times Book Review today, a great essay-review of Daniel Kahneman's new book, Thinking, Fast and Slow. The reviewer, Jim Holt, talks about Kahneman's theory of the two parts of our brain: the quick, irrational, that uses association and metaphor; and the slow, calculating rational, that measures and counts and uses logic -- and how the irrational part is the one that calls the shots, often to our peril! (No wonder such a large part of the Republican base so often votes against their best interests!) Also, I was very intrigued by the concept of the "experiencing self" and the "remembering self," and how our awareness of our selves, our lives, our sense of happiness, and what we bases our decisions on, is primarily the work of the remembering self (vacations, and colonoscopies, are always better in retrospect). And that the experiencing self, in a large part, really hardly exists. Fascinating. I may actually have to get the book, and read about it all a little more in depth.
*
Monday, November 21, 2011
I love this poem from today's American Life in Poetry:
Believe This
All morning, doing the hard, root-wrestling
work of turning a yard from the wild
to a gardener’s will, I heard a bird singing
from a hidden, though not distant, perch;
a song of swift, syncopated syllables sounding
like, Can you believe this, believe this, believe?
Can you believe this, believe this, believe?
And all morning, I did believe. All morning,
between break-even bouts with the unwanted,
I wanted to see that bird, and looked up so
I might later recognize it in a guide, and know
and call its name, but even more, I wanted
to join its church. For all morning, and many
a time in my life, I have wondered who, beyond
this plot I work, has called the order of being,
that givers of food are deemed lesser
than are the receivers. All morning,
muscling my will against that of the wild,
to claim a place in the bounty of earth,
seed, root, sun and rain, I offered my labor
as a kind of grace, and gave thanks even
for the aching in my body, which reached
beyond this work and this gift of struggle.
*
American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright © 2010 by Richard Levine, from his most recent book of poetry, That Country’s Soul, Finishing Line Press, 2010, by permission of Richard Levine and the publisher. Introduction copyright ©2011 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
Believe This
All morning, doing the hard, root-wrestling
work of turning a yard from the wild
to a gardener’s will, I heard a bird singing
from a hidden, though not distant, perch;
a song of swift, syncopated syllables sounding
like, Can you believe this, believe this, believe?
Can you believe this, believe this, believe?
And all morning, I did believe. All morning,
between break-even bouts with the unwanted,
I wanted to see that bird, and looked up so
I might later recognize it in a guide, and know
and call its name, but even more, I wanted
to join its church. For all morning, and many
a time in my life, I have wondered who, beyond
this plot I work, has called the order of being,
that givers of food are deemed lesser
than are the receivers. All morning,
muscling my will against that of the wild,
to claim a place in the bounty of earth,
seed, root, sun and rain, I offered my labor
as a kind of grace, and gave thanks even
for the aching in my body, which reached
beyond this work and this gift of struggle.
*
American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright © 2010 by Richard Levine, from his most recent book of poetry, That Country’s Soul, Finishing Line Press, 2010, by permission of Richard Levine and the publisher. Introduction copyright ©2011 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
Thursday, November 17, 2011
NATIONAL BOOK AWARD: POETRY announced. I heard the story on NPR this morning, and loved the exerpt from Nikky Finney's acceptance speech. Log on to the NBA site to read/hear interviews and video and such.
WINNER: Nikky Finney, Head Off & Split
(TriQuarterly, an imprint of Northwestern University Press) - Interview
FINALISTS:
Yusef Komunyakaa, The Chameleon Couch
(Farrar, Straus and Giroux) - Interview coming soon.
Carl Phillips, Double Shadow
(Farrar, Straus and Giroux) - Interview
Adrienne Rich, Tonight No Poetry Will Serve: Poems 2007-2010
(W.W. Norton & Company) - Interview
Bruce Smith, Devotions
(University of Chicago Press) - Interview
Poetry Judges: Elizabeth Alexander (Panel Chair), Thomas Sayers Ellis,
Amy Gerstler, Kathleen Graber, Roberto Tejada
WINNER: Nikky Finney, Head Off & Split
(TriQuarterly, an imprint of Northwestern University Press) - Interview
FINALISTS:
Yusef Komunyakaa, The Chameleon Couch
(Farrar, Straus and Giroux) - Interview coming soon.
Carl Phillips, Double Shadow
(Farrar, Straus and Giroux) - Interview
Adrienne Rich, Tonight No Poetry Will Serve: Poems 2007-2010
(W.W. Norton & Company) - Interview
Bruce Smith, Devotions
(University of Chicago Press) - Interview
Poetry Judges: Elizabeth Alexander (Panel Chair), Thomas Sayers Ellis,
Amy Gerstler, Kathleen Graber, Roberto Tejada
Sunday, November 13, 2011
Wonderful essay/review of the work of Charles Wright (one of my faves), by Mark Jarman, up on PD -- check it out:
More than any other American poet writing today, perhaps more than any poet since Whitman and Dickinson, Charles Wright has recorded in his poems a lifetime of spiritual seeking. That pursuit has had more of Emily Dickinson's skepticism than Walt Whitman's affirmation, more of her struggles with Puritanism, than what Galway Kinnell once called Whitman's "mystical all lovingness." And yet the urge toward Whitman's embrace of multitude and the discretion of Dickinson's straitened thought have combined to create through Wright's genius an instrument which is to the spiritual life in contemporary poetry what the sonnet was for John Donne and George Herbert. Charles Wright has, for over forty years of mastery, given us a mode and a means for that journal of the soul which American poetry has, since Whitman and Dickinson, always had at heart. He has almost singlehandedly invented an American form of the devotional poem.
(originally appeared in Northwest Review)
More than any other American poet writing today, perhaps more than any poet since Whitman and Dickinson, Charles Wright has recorded in his poems a lifetime of spiritual seeking. That pursuit has had more of Emily Dickinson's skepticism than Walt Whitman's affirmation, more of her struggles with Puritanism, than what Galway Kinnell once called Whitman's "mystical all lovingness." And yet the urge toward Whitman's embrace of multitude and the discretion of Dickinson's straitened thought have combined to create through Wright's genius an instrument which is to the spiritual life in contemporary poetry what the sonnet was for John Donne and George Herbert. Charles Wright has, for over forty years of mastery, given us a mode and a means for that journal of the soul which American poetry has, since Whitman and Dickinson, always had at heart. He has almost singlehandedly invented an American form of the devotional poem.
(originally appeared in Northwest Review)
Thursday, November 03, 2011
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