The most amazing part was Suh's installation called Gate. It is a screen in the shape of the gate at his ancestral home in Korea, onto which a series of video images plays: his Korean home in the changing light (time lapse video); some growing tree branches like paint strokes; butterflies, dragonflies, a deer; and then an amazing series of crows, single and flocking and filling the sky, and swarming into a whirl -- all echoing images that are to come in the next rooms. It is a pretty amazing piece, visually and viscerally moving, and it's worth it to sit in the dark anteroom and watch it for a while, before passing through the gate, and experiencing the transformation that great art offers. And then looking back, and seeing it again from the other side. Highly recommended.
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I love this poem from the new Jim Harrison book from Copper Canyon.
River II
Another dawn in the village by the river
and I'm jealous of the 63 moons of Jupiter.
Out in the yard inspecting a lush lilac bush
followed by five dogs who have chosen
me as their temporary leader. I look up
through the vodka jangle of the night before,
straight up at least 30,000 feet where the mountains
are tipping over on me. Dizzy I grab the lilacs
for support. Of course it's deceitful clouds
playing the game of becoming mountains.
Once on our nighttime farm on a moonlit walk
the clouds pushed by a big western wind
became a school of whales swimming hard
across the cold heavens and I finally knew
that we walk the bottom of an ocean we call sky.
-- Jim Harrison, from Songs of Unreason
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